Amplifier Power Recommended - 15-180WI believe minimum power requirements per channel must be around 75w for Meta.
Amplifier Power Recommended - 15-180WI believe minimum power requirements per channel must be around 75w for Meta.
I would stay away from Hegel they measure horribly for the price https://www.audiosciencereview.com/...s/hegel-h95-review-streaming-amplifier.28435/Yes I have preamps and dacs. Let me take a look those.
I could get uaed Hegel H80 or brand new Audiolab 6000A but haven’t read any review or impressions about how their performance with LS50 Meta.
I spent most of an afternoon adjusting my LS50s and subs (2 x SB1000 Pro) using the PEQ on the subs and the Audyssey calibrations on a Denon 4700 - ended up using a crossover of 100Hz. I still have some annoying sharp room modes (I assume) based on REW at about 180 and 300Hz, but on listening, imaging is fantastic and voice is notably clearer.Absolutely incredible soundstage and dynamic range (particularly noticeable with a symphony orchestra) compared to an aging (and in need of a crossover rebuild) pair of Kef 104/2s. I am seriously astonished by the LS50meta crossed over at 80Hz to subs. To the extent that my center channel speaker (Focal Chora) is being replaced by an LS50meta also. Medium size room (15*15*8 with openings on 3 corners).
That looks really bad, thank you for the link. Hegel is no more on my list.I would stay away from Hegel they measure horribly for the price https://www.audiosciencereview.com/...s/hegel-h95-review-streaming-amplifier.28435/
Yes I have preamps and dacs. Let me take a look those.
I could get uaed Hegel H80 or brand new Audiolab 6000A but haven’t read any review or impressions about how their performance with LS50 Meta.
This is probably not news to most on here - the LS50s do like a good bit of space around them and to be pointed at the listening area.Much more experimenting anticipated.
Bass nodes are a problem for me too, with or without the port plugs. I'm investigating a bit of acoustic treatment, but even so, the speakers sound extremely good. As you say, the speakers "disappear".I played around with spacing and toe-in and ended up in the same position in my room. Pretty much facing forward but with a few degrees of toe-in which seems to work well with my room. I'm still dealing with bass nodes but that's a different issue.
The first time I did a walk around at one of the room modes that REW showed up, I was most alarmed, but the audyssey correction seems to help but not eliminate it around the listening position.I too am looking into acoustic treatments since I can walk around my room and bass changes dramatically so that is my first area of focus. Right now my LS50 Meta placement is solid as they not only disappear but have a soundstage that is both tall and deep which still surprises me for such a small speaker. My wife always laughs at all the blue tape on the floor for different placements
Here is an example how much you can achieve with acoustic treatment in a bedroom-sized room. And how much treatment it actually takes if you want to have an impact on bass frequencies (TLDR: a lot).I too am looking into acoustic treatments since I can walk around my room and bass changes dramatically so that is my first area of focus.
That's incredibly useful. Thanks - I'm quite pleased with how I'm doing so far. My ears say "that sounds pretty good, across a variety of music types plus movie dialog", but the brain lies atrociously and it is good to get some measured data with REW - and compare it with what people who know what they are doing are finding.Here is an example how much you can achieve with acoustic treatment in a bedroom-sized room. And how much treatment it actually takes if you want to have an impact on bass frequencies (TLDR: a lot).
If you want smoother bass across your room a more effective approach is using a combination of digital room correction and multiple subwoofers.
Wow... the room treatment just got more and more convoluted and ridiculous with only "some" improvement. Talk about trying to eek out some improvement on extreme diminishing returns...Here is an example how much you can achieve with acoustic treatment in a bedroom-sized room. And how much treatment it actually takes if you want to have an impact on bass frequencies (TLDR: a lot).
If you want smoother bass across your room a more effective approach is using a combination of digital room correction and multiple subwoofers.
Yeah, especially after they added 8 membrane traps in the 4th episode..Wow... the room treatment just got more and more convoluted and ridiculous with only "some" improvement. Talk about trying to eek out some improvement on extreme diminishing returns...