Very interesting, and I’m not debating the advantages of baffle wall construction per se. What I’d like to debate is the use of multiple speaker sets.
Although now that I see not LCR but 5 speakers across the commercial cinemas, I’m curious what the 4th and 5th array between LCR are assigned as? Wide centers? Or near L/R’s?
Todd-AO 70mm days used five wide and one mono surround. If you have any DVD such as The sound of music or Logan's Run and wanted to create a five screen wide that is way better than dolby front wide that is I believe only mixed/encoded for as and when on what atmos film? You can use the five wide anytime to experiment with
Originally one solo voice sound has spread over the five screen and sounds foggy sounding within few dB. You have to set one up, don't question it, set one up or don't. The five screen wide was abandoned partly in mixing during mid 1970's the last great one maybe Logan's Run that used Dolby A-type NR, where's before it used academy filters. (The Le Re Left centre Right centre) that you're curious about was later used in Star Wars for subwoofer channel tagged Baby Boom. It was not soon later then decided to use separate subs placed below the screen, rumor has it, Close Encounters, maybe for some cinemas that is? Now as we know the sub is separately placed behind the screen with single or arrays depending on auditorium size or requirements.
So for decades Lc Rc remained abandoned that was until Sony SDDS released their digital sound format for the digital sound format war. SDDS placed back the original Lc Rc, back then or today the sound mixing can be better done than what was previously done in the 60's 70's, discrete sound isolating placement and certain sound can be mixed into Lc Rc could be anything within DME dialog music or effects/fx.
If what a five screen wide in the home.
Need two matrix decoders for it to work I use two matching Dolby SDU4 and they are wired in a specific way and connected though my x2 Sony SDDS D3000 or can be connected though my Dolby Stereo CP200 in a certain way to mimic what most home theatre AVR's won't be able to do.
The decoder looks for a signal that has equal frequency phase such as centre phantom or any sound that commonly floating between, L and C or C and R and creates a New channel and places those phantom sounds in New speaker locations behind the screen.
You have to add on some extra decoders. Its only a matrix version but it sure sounds good.
I recommended for small home use JBL 4673A they are rare but some are about on ebay. They have good HF horn better than JBL 3678. The 4673 CD 2445 with 2380A be able get that tuned down to (with a few Behringer DCX2496) 300Hz and then you can tune the LF down to 300Hz or fraction lower for lower lows and higher highs with less distortion.