Randyman...
- Birthday
- Jan 1, 1980 (Age: 45)
Signature
Randy V.
Primary A/V system:
Neumann KH-150 L-C-R | 2x Dynaudio Air-Base-II Subs (externally driven) | Dynaudio BM6P Surrounds
Denon X3800H + Dirac+DLBC | Roku 65" QLED | Crest CA9 Sub Amp for ^ | 3x Radial J+4
DIY room treatment: Various on Walls, 14" Soffit bass traps; 4" w/1" gap for ceiling (ceiling made the most difference)
Cheap JBL Loft series 5.25" for "Front Wide Heights" (no Atmos over here / smallish room / don't care)
Up next: Add a 3rd DIY sub to smooth it out even more
Recording/Production:
Massive PA and Recording system with 396 channels via RME MADIFace-XT and SSL Alphalink AD/DA's (total of 50 analog ins / 50 analog outs)
Dynaudio AIR-15 main monitors; Sonodyne SRP-400 "Monitor-B"
SP2 15"+2" PA Speakers > Crest CA9 | 4x DIY JBL 2241G 18" Ported Subs > Crest CA12 (makes for yummy kick drums!)
Massive amounts of acoustic treatment including height-adjustable clouds
30 Channels of fully discrete transformer balanced mic pres of varying topologies, and a modest mic locker
Misc analog dynamics (1176-A; 1176-D; Purple Action; 2x Innovonics 201's w/ Jim Williams mod; LA2A; Dynamite w/Jim Williams mod; Langevin ELOP)
6x 500-series DIYRE Colour Pallettes w/various Colour modules
2x AA 64-point DB25/TT Patchbays ; 2x LittleLab RedCloud DB25 attenuators (16 ch)
Keys/Dedicated VSTi DAW w/RME MADI I/O; Bass+rig; 2x Guitars+Marshall Tube rigs + Amplitube
4x Live Vox Mics w/2x 12"+2" monitor wedges on RMX-1850HD + 1x18" JBL sub on QSC-1850HD (also serves as a V-Drum monitor "more me" as needed)
Yamaha Recording Custom Absolute acoustic drums (tight-mic'd) AND electronic V-Drums (w/ dedicated VSTi DAW) - Lights-up the 4x JBL Subs nicely
All of the above is patched and ready to record concurrently at anytime.
Mic-Pres are half-normalled to the ADC's, and are parallel-patched into the Compressors/Colour modules to allow dry and compressed/saturated inputs recorded to separate tracks
Primary A/V system:
Neumann KH-150 L-C-R | 2x Dynaudio Air-Base-II Subs (externally driven) | Dynaudio BM6P Surrounds
Denon X3800H + Dirac+DLBC | Roku 65" QLED | Crest CA9 Sub Amp for ^ | 3x Radial J+4
DIY room treatment: Various on Walls, 14" Soffit bass traps; 4" w/1" gap for ceiling (ceiling made the most difference)
Cheap JBL Loft series 5.25" for "Front Wide Heights" (no Atmos over here / smallish room / don't care)
Up next: Add a 3rd DIY sub to smooth it out even more
Recording/Production:
Massive PA and Recording system with 396 channels via RME MADIFace-XT and SSL Alphalink AD/DA's (total of 50 analog ins / 50 analog outs)
Dynaudio AIR-15 main monitors; Sonodyne SRP-400 "Monitor-B"
SP2 15"+2" PA Speakers > Crest CA9 | 4x DIY JBL 2241G 18" Ported Subs > Crest CA12 (makes for yummy kick drums!)
Massive amounts of acoustic treatment including height-adjustable clouds
30 Channels of fully discrete transformer balanced mic pres of varying topologies, and a modest mic locker
Misc analog dynamics (1176-A; 1176-D; Purple Action; 2x Innovonics 201's w/ Jim Williams mod; LA2A; Dynamite w/Jim Williams mod; Langevin ELOP)
6x 500-series DIYRE Colour Pallettes w/various Colour modules
2x AA 64-point DB25/TT Patchbays ; 2x LittleLab RedCloud DB25 attenuators (16 ch)
Keys/Dedicated VSTi DAW w/RME MADI I/O; Bass+rig; 2x Guitars+Marshall Tube rigs + Amplitube
4x Live Vox Mics w/2x 12"+2" monitor wedges on RMX-1850HD + 1x18" JBL sub on QSC-1850HD (also serves as a V-Drum monitor "more me" as needed)
Yamaha Recording Custom Absolute acoustic drums (tight-mic'd) AND electronic V-Drums (w/ dedicated VSTi DAW) - Lights-up the 4x JBL Subs nicely
All of the above is patched and ready to record concurrently at anytime.
Mic-Pres are half-normalled to the ADC's, and are parallel-patched into the Compressors/Colour modules to allow dry and compressed/saturated inputs recorded to separate tracks