those UADs are not only interfaces though, they come with a bunch of hardware emulations that afaik can even run inside the interface. Not that I know much about their ecosystem though.
well, if it had an extra DSP chip (like Motu has f.e.) it wouldn't be limited to USB input. It's included in the driver it seems. So an EqAPO-ish addon in the driver
look at the carpet. there is so much filtering going on the whole texture is gone. we have no clue how this looks like in real life. lol
but forget it, this is offtopic since this is an internet trend
I which they put less filters on the pictures so we can see how it looks in real life. it almost looks like a render (well, technically part of it is rendered with all the filtering)
yep....this has been said before. it never was the results for Eric, he just doesn't want them measured.
So the best possible theoretical "punishment" for him would be to put every single speaker of his on the Klipple.
I always have the feeling that part of the US high-end community is strongly bonded with the Pentecostal one. there is an audition on Tekton's Youtube which also feels a lot like a cult.
I never built a speaker but why would it be impossible to simulate and then (ear)tune on a trial and error basis after experimenting decades with this? I mean, what is the point of letting that 700Hz boost if you are aware of it? I don't think this is an area where you want to add "character"...
Ok, this one I had put to the side, because we don't need a gigantic horn to have 105dB at 25Hz
not sure I understand. also his room actually got bigger since the horn is attached to the outside lol.
from another video:
I love horns (for mids at least), but does it make any sense to have a horn subwoofer?
What would the advantage be?
(it's in Portuguese but IIRC (he says) it goes from 25-120Hz)