stopbeingalentil
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- May 27, 2021
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I think that's the pivotal point... who has the audacity to make an authoritative claim as to what is music and what isn't? Especially to the point that part of MQA's marketing is to claim it preserves those ultrasonic components that allegedly are perceptionally important. Let alone the fact that it has been shown that while you certainly can't hear ultra-sonic sound, it nevertheless can very well be perceived in different ways by different people...There is no music content in the world that has this type of spectrum.
That aside the issue is that MQA has the potential to audibly degrade what was an actual lossless copy of the master output. This is from (cropped at the end copy of) "Poppy"'s "Concrete" sourced in 44.1/16 from Qobuz and Tidal (where Tidal also has an MQA version of this track):
If anything I hope we can at least agree that it's problematic that there's significant differences well within the audible band between those two and not just, as claimed by MQA, in the upper frequencies it allegedly uses to encode whatever they encode