Lots of near field studio monitors have wide dispersion that won't work well if you're sitting far away.
The polar pattern of a Genelec 83xx and the off-axis response of a Revel F208/F228 (a high performance home speaker) indicate that both embrace the "constant directivity" design principle. It seems that are both have somewhat lower directivity index, which means that the off-axis attenuation is smooth. I suppose this would also classify them both "wide dispersion" speakers.
Looking at the suggested listening distances of the Genelec spec sheet (
https://www.genelec.com/sites/default/files/media/Studio monitors/Catalogues/genelec_monitors_in-room_performance.pdf ), they specify for 8351 a maximum distance of ~7ft with an RT60 (Room reverberation time) of 250 ms. Based on the same graph, above that, quoting the spec "the sound character is strongly affected by the reverberation characteristics of the room". To my understanding, the thing is that although many sound engineers will want to avoid reverberation, many people in home applications will prefer the more reverberant, aka livelier and less dry sound, assuming of course that the off-axis response is somewhat controlled. For example, Mr. Linkwitz (R.I.P.) has stated that he prefers livelier rooms with RT60 of 450s (mentioned on the Kii three review
http://www.linkwitzlab.com/Constant_directivity_louds.htm).
To conclude:
a) Modern professional speakers are being designed for specific applications and upon stricter specification, but..
b) the above rules in general, don't make them any less suitable for home use. If anything a JBL 305/308 with its directivity controlling horn and wide dispersion would be even more suitable for home use than other boutique 2-way speakers.