FWIW I’m running a ~5.3 ohm line array with a Musical Fidelity A3.5 integrated stereo amp. MF factory specs say the amp will deliver below 240 wpc max. The monitors I’m using (6 per stereo channel, homologous to coupled woofers) to comprise the LA will handle max continuous power of 150 w… each. That = 900 w continuous per channel max, and that covers ~100 Hz up; bass is powered separately.
Sensitivity calculates to 99.5 dB, but the tweeters aren’t coupling so that value’s an overestimate. The individual monitors are rated 90 dB sensitivity.
Never, ever any hiss
>> Edit: that is to say, hiss audible to my ears or those of other listeners; not measured / mic’ed. Hook a tube amp up, and that changed a little, at very close range (within inches) <<
unless it’s part of the recording (which can be heard clearly on some vinyl digitizations, home recordings with guitar amp hiss, etc). Between the two channels, there’s over 60’ of speaker wire. I don’t know enough about the topic to dismiss “max possible amp overhead” advocacy, but despite my speakers’ list of design atrocities, I haven’t seen heard any need for amp overhead.
I would think those JBL LA’s would be flexible, modeled more for decent HT/multi-channel receivers than massive mono blocks, no? Have you at least tried a chip amp x switching power supply per channel? It would be a cheap (albeit not properly controlled) test of suitability for “makeshift mono’s” in your case.