I’m 100% on board with absorption. With it, my room measures better and I can hear more detail over a greater range of frequencies.IMO, It's more about preference than right or wrong.
For stereo I've always preferred the side walls treated to be damped, specially in the area of first reflections.
Along with a speaker that has fairly narrow horizontal dispersion, horns are my personal fav.
This to me, offers the clearest reproduction of the source material.
If you want any supporting evidence, just listen to a good set of headphones.. MHO is that this "reflection free" attribute of cans
illustrates why headphones are so popular today. I'm not a big headphone guy, wearing them for long just annoys the hell out of me, but when I have a question about the sound of something I hear on my speakers, I'll pull out my Senn HD650's for a highly detailed view unmolested by room reflections.
Again I don't see any right or wrong, just preference, some like a very focused stereo soundstage, some a more defuse one such as presented by bi/di poles, and all of that.
I have also found a well damped room to be of even more importance with multich playback. If you want to hear the "3D Soundspace" as the production team intended, having blurring reflections bouncing all over the place from 5, 7, 11 or more
speakers is definitely to be avoided.
Going back to the 90s I experimented with a Paradigm 5.2 system using their bipolar surround speakers that had been highly reviewed by some HT magazine of the time. The Titan direct radiators were excellent stand mounts of the day but I could never get into what was going on in the surround presentation and was happy to sell them off before my move to FL after retirement.
All just IMHO and YMMV.
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I used to be a headphone hater until I got a software room emulation. The fact that I can monitor low end with low distortion without bothering neighbors at 2am has been a life changer for me. Still, nothing like the tight snappy bass from a well-dampened room.