minidps does convert everything to 96khz before dsp, if what you are showing is after dsp, then this could be the solution
minidps does convert everything to 96khz before dsp, if what you are showing is after dsp, then this could be the solution
For those following, I managed to replace the knob. It takes 5mm:a wobbly decoder button that is almost scary to use,
He has the digital version and didn't use it as a DAC.interesting... i can get past the lights and the fiddly dial, but if it does not work well as a "close enough" state of the art USB DAC it is of no interest to me. Are you underwhelmed by the sound?
what does tin ears mean - like opposite of golden?He has the digital version and didn't use it as a DAC.
I have the RCA output version and use it as a USB DAC and it makes no difference to me compared to a Topping E30 or Yamaha A-S801.
As for up/down sampling being audible ... i have doubts.
I can tell Moode to send whatever i think is best, in this case 24bit/96kHz, and i can choose different scaling precision algorithms (that use up different amounts of CPU). None of them made a difference to me either.
Tin ears, right?
The reviews are here:what does tin ears mean - like opposite of golden?
would you agree the DAC quality compares roughly to mid range consumer DAC's? seems to me this is what you are saying.
does anyone have experience or comparison with mid-range pro DSP units like models from harman/BSS, xilica, symetrix, dbx?
i have a minidsp 2x4HD - does anyone have direct comparison with the HD and the flex?
i wish they allowed returns... i guess i'm being cheap. i have unfortunately developed expensive taste from work tuning studio systems. it's like working at a fancy wine bar and then going home to two-buck chuck...
Yeswhat does tin ears mean - like opposite of golden?
Yeswould you agree the DAC quality compares roughly to mid range consumer DAC's? seems to me this is what you are saying.
I have both. The Flex is basically a 2x4HD in DSP functionality, but measures better. Both are measured by Amir somewhere on this site, you can compare them directly.i have a minidsp 2x4HD - does anyone have direct comparison with the HD and the flex?
Tony, what is yout take on the imd of the flex when talking about low sinad and comparing to the sota dacs?The Flex ranks quite highly on Sinad compared to the best DACs, as you can see in the chart in the review - more than halfway along the blue section. You won't hear the difference between the flex and those at the top of the chart. Noise and distortion are already below the level of audibility.
Yes - IMD is its weakest point.Tony, what is yout take on the imd of the flex when talking about low sinad and comparing to the sota dacs?
After almost 1000 posts this is yet to be discussed, or is it that completely irrelevant? If i look at the graph, imd starts picking up quite early
I trust you, just calls my attention that doesn't seem to be able to clear even the 16bits mark of "clean signal under any circumstances".Yes - IMD is its weakest point.
Even on the multitone test though, it is still down at -90+dB (0.003%), and that is with high frequency tones at a *very* much higher level than you get in music. I'm not worried about it being audible.
An exercise for the reader is to see where a ranking of IMD would put it on a chart compared with other DACs
Perfect for MQA then.I trust you, just calls my attention that doesn't seem to be able to clear even the 16bits mark of "clean signal under any circumstances".
I think it means distortion is at least 90dB from the signal at all times.Well, i was looking at the imd graph, just above the multitone, that seems to indicate a floor of ca 90db starting at -20db signal (i tend to think that you get the best of your dac with low attenuation, but -20db seem quite reachable even if you use the flex as preamp). I don't really understand how this translates to real life: what are the chances we have more that one frequency reaching high levels and what are the consequences if that happens, that's why i was asking.
It is as BatEar said regardless if 1kHZ, IMD or any other test signal if SignalSPL minus distortion/noise/imd is below room noise or even to be more conservative below 0dBSPL you don’t hear it.Yes, sure, fully agree, 90 db is more than plenty, no doubt about it, and this brings us to the eternal discussion of how much is enough and all that.... i just feel in this particular case imd might be worth to mention when comparing the flex with other sota dacs. It might be one of this cases that a single 1kHz tone does not tell all the story.
I think it means distortion is at least 90dB from the signal at all times.
If your background noise is 45dB (i have more because city environment), you would need to play music at more than 135dB to have it in the signal. At which time your speakers would melt and your inner ears would start bleeding of course. Not to mention that you will not hear any distortion from your source if you play signal at 135dB+.
That is how i interpret it.
I guess i don't understand what this result means in the real world. this does look quite bad compared to other usb DAC's.Perfect for MQA then.
But just so we know what we are talking about, this, in my humble opinion, is good enough. Real music will never look as bad like this synthetic benchmark:
View attachment 209203
Armin’’s multitone test specifically states it does have 16 bits Of distortion free range.I trust you, just calls my attention that doesn't seem to be able to clear even the 16bits mark of "clean signal under any circumstances".
Regarding the ranking.... i am afraid it would do pretty bad.
You would be calibrating them separately but it is possible. You could do some work in REW afterwards to get the levels balanced.If I have 2 of these could I run Dirac on my LCR-Sub and have them all correlate? Or does Dirac only do one device at a time where I’d need a 4 input Flex