Maybe this forum should be renamed "Audio science and dogs review".
Regards, a fellow dog-lover!
Regards, a fellow dog-lover!
Seeing how there were three parts to his name, that is a major accomplishment for me!!!Seems the only thing amir got right was Jason's name
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The dog you see is the irreplaceable Daisy Mae Doven. Ms. Doven is half Jack Russell terrier, and half Ghetto. The other two are Leo Gleesun (blond) and the infamous Guy Luvberg. The world is poorer because there is no picture of them.
snippage.
The dogs need their nighttime walk. Happy listening, one and all.
jason victor serinus
who gets terrified every time he sees how bad his posture has become
The secret is buy all the widely available ones, hord them so they become rare and sort after... then they will sound betterMore expensive must always be necessary for improvements. It is possible for something more expensive not to be an improvement, if the brand is unknown or unfashionable, but cheaper can't possibly be an upgrade. Ever.
"Better" components are always much dearer. I have always thought that there must be a capacitor construction or valve (tube) type which is inherently good without being pricy, but no - the good sounding ones are always implausibly expensive or hard to find NOS parts.
Funny how that works out.I'm usually more impressed with how preference closely correlates with retail value.
Now your on to something Thomas! Once things become hard to obtain their percieved SQ will go up along with demanding a higher price. Audiophool's meat and potatos.The secret is buy all the widely available ones, hord them so they become rare and sort after... then they will sound better
But what happens when improvements in SQ become so vanishingly small as to be irrelevant?More expensive must always be necessary for improvements.
But what happens when improvements in SQ become so vanishingly small as to be irrelevant?
That is the point this industry is at with much of today's electronics between the source and speaker.
Then what has happened is price became the final arbitrator on what's "better", having no solid relationship to it's real SQ. Marketing spin is king and the fools are swarming to things like $6k power cords and alike.
It's become a industry where the lunatics are running the asylum.
Party pooper.Let's not rant too much guys
I’ve seen it mentioned around here that Wilson speakers do not measure very well. Are spinoramas on any of their famous designs available?
On the couple occasions I’ve had a listen, I was impressed with what I heard, it certainly caught my attention with a sense of scale and good stereo-focus. To be fair that is significantly attributable to room and setup as well. I’ve never listened long enough to say if they would be the speakers I most want to live with, but no doubt they make an impact.
Perhaps one will eventually make it to Amir for measurement. If anyone has pointers to spinoramas, thank you. I’m also interested in what other speakers have comparable measured performance to Wilsons.
Effect boxes? I’m not familiar - is that part of the overall Wilson design or something different?Don’t forget that those speakers are always fed with effect boxes that produce tons of distortion. If those Wilson speakers are fed with transparent source we can definitely see how much snake oil those speakers really have
I wonder if along the way there was a transformation of the object of interest from sound/perception/music to something else, i.e., greed, aggression, pursuit of the very special, exceptionalism; or whether all along the obsession/compulsion was for exceptionalism and the very special?
It would really surprise me (no, it really wouldn't given the whole tweako Wilson scene) if someone was using an SET with one of their speakers. Even the smallest is 4 ohms and they want 20-30 watts minimum in the spec sheet. I mean, you'd really have to be hard core to do that.Effect box aka... SET power amps...
No doubt you are correct about obsessive collecting and spending with no rational basis for preference. But I would not extend that to the people who travel to listen to systems. There are experience seekers in every sensory field, wine-tasting is an example I am familiar with. But test-driving expensive cars or visiting art museums is in the same category as going to Axpona and listening to systems critically, IMO. One might never be able to buy/possess any of the things tested but there’s value - even joy and exhilaration - in the experience.Taking an interest one has up one notch to the level of an enthusiast; and then, up another notch to the level of an obsessive/compulsive; and then...well, I'd say it it becomes a pathology or sickness. I wonder if along the way there was a transformation of the object of interest from sound/perception/music to something else, i.e., greed, aggression, pursuit of the very special, exceptionalism; or whether all along the obsession/compulsion was for exceptionalism and the very special? It is my judgment that this interest is focused on one of the least truly meaningful things in the wide world of reality.